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    <loc>https://apricots-penguin-jxxt.squarespace.com/southwark-park-galleries</loc>
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      <image:title>Southwark Park Galleries</image:title>
      <image:caption>Colourful yarns, textiles, branches and other natural materials arranged on an outdoor table for a collective making workshop led by Hannah Lees and May Hands as part of To Be Here With You (2023) at Southwark Park Galleries, London.</image:caption>
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      <image:title>Southwark Park Galleries</image:title>
      <image:caption>Two participants working with and combining natural and foraged materials during an artist-led workshop by Hannah Lees and May Hands as at Southwark Park Galleries, London, with plants and workshop supplies arranged nearby.</image:caption>
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      <image:title>Southwark Park Galleries</image:title>
      <image:caption>Assemblages of branches, leaves, ribbons and foraged natural materials arranged by Hannah Lees and May Hands, displayed together during To Be Here With You at Southwark Park Galleries, London.</image:caption>
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      <image:title>Southwark Park Galleries</image:title>
      <image:caption>Participants creating a collaborative mural during Alice May's workshop for To Be Here With You at Southwark Park Galleries, London, exploring their creative connection to the park and one another.</image:caption>
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      <image:title>Southwark Park Galleries</image:title>
      <image:caption>Participants creating experimental musical sculptures using everyday materials during a sound workshop led by Rie Nakajima for To Be Here With You at Southwark Park Galleries, London.</image:caption>
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    <loc>https://apricots-penguin-jxxt.squarespace.com/dialogue-academy-02</loc>
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      <image:title>Dialogue Academy 02</image:title>
      <image:caption>Installation view of paintings by Luca Japkinas, including a large pink and purple composition, in Déjà Vu (2024) at Dialogue Gallery, Lisbon.</image:caption>
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      <image:title>Dialogue Academy 02</image:title>
      <image:caption>Installation view of Déjà Vu (2024) at Dialogue Gallery, Lisbon, featuring a large figurative painting by Luca Japkinas, with smaller works by Louisa Piepers visible on the adjacent wall.</image:caption>
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      <image:title>Dialogue Academy 02</image:title>
      <image:caption>Installation view of Déjà Vu (2024) at Dialogue Gallery, Lisbon, showing a dark painting by Tom Plehn in the foreground and works by Luca Japkinas and other artists beyond the stone column.</image:caption>
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      <image:title>Dialogue Academy 02</image:title>
      <image:caption>Installation view of Déjà Vu (2024) at Dialogue Gallery, Lisbon, featuring a large figurative painting by Luca Japkinas framed by the gallery's historic stone archway.</image:caption>
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    <image:image>
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      <image:title>Dialogue Academy 02</image:title>
      <image:caption>Installation view of paintings by Tom Plehn in Déjà Vu (2024) at Dialogue Gallery, Lisbon, featuring a large dark abstract composition alongside two smaller geometric paintings in green, black and pink.</image:caption>
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    <image:image>
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      <image:title>Dialogue Academy 02</image:title>
      <image:caption>Installation view of a series of small-scale mixed-media painting artworks by Youjeong Kim, arranged in a horizontal sequence along a white gallery wall for Déjà Vu (2024) at Dialogue Gallery, Lisbon.</image:caption>
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    <image:image>
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      <image:title>Dialogue Academy 02</image:title>
      <image:caption>Installation view of two mixed-media painting artworks by Youjeong Kim in Déjà Vu (2024) at Dialogue Gallery, Lisbon, featuring architectural imagery, textured surfaces and layered details.</image:caption>
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    <image:image>
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      <image:title>Dialogue Academy 02</image:title>
      <image:caption>Installation view of two paintings by Luca Japkinas in Déjà Vu (2024) at Dialogue Gallery, Lisbon, featuring a large composition in pink, purple and muted blue alongside a smaller painting in similar tones.</image:caption>
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    <loc>https://apricots-penguin-jxxt.squarespace.com/tank-shanghai</loc>
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    <lastmod>2026-10-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/3de64bcf-146c-4cf5-be67-0d985a1f028c/TANK_Shanghai_08.jpeg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Interior of an art gallery or museum with white curved walls, featuring the gallery text for Danwei Unfolding</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/cea2ea9f-297b-4a89-849f-320f50edccdf/TANK_Shanghai_01.jpg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view close up of a weathered green door artwork by Qiu Xiaofei in Danwei Unfolding (2025) at TANK Shanghai</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/d4a7115c-53bb-4af2-b838-451030c38868/TANK_Shanghai_07.jpg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Wide installation view of Danwei Unfolding (2025) at TANK Shanghai, featuring Nishiko's suspended multicoloured ribbons framing Xing Danwen's orange carpet, chair and floor lamp, with a weathered green door artwork and photographic works visible on the surrounding walls.</image:caption>
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    <image:image>
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      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view of Danwei Unfolding (2025) at TANK Shanghai, showing a deep, square architectural opening framing Qiu Xiaofei's weathered green door artwork, with Nishiko's suspended multicoloured ribbons visible in the adjoining gallery space.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/8f53644b-e5d1-4dc4-b90c-87008424c4d4/TANK_Shanghai_05.jpg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>An art gallery with a large installation hanging from the ceiling, colorful row of ribbons or streamers. Walls display digital artwork or photographs, a lamp on a table, and a patterned rug on the floor by artist Xing Danwen.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/d8496f5a-2aaf-4776-8910-73867e6127b2/TANK_Shanghai_06.jpg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view of a weathered green door artwork by Qiu Xiaofei in Danwei Unfolding (2025) at TANK Shanghai, featuring a narrow rectangular window and small coloured details, displayed against a freestanding white gallery wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/7d2bf860-2982-4d6a-8793-5e0ec7f8c3fc/TANK_Shanghai_10.jpg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view of Danwei Unfolding (2025) at TANK Shanghai, featuring a large-scale video projection of a landscape-like scene on a dark gallery wall, with Nishiko's suspended multicoloured ribbons visible at the far end of the space.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/e7c8cd0d-7961-43e8-a06a-514e72b4d3d9/TANK_Shanghai_04.jpg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view of a video work by Kanthy Peng in Danwei Unfolding (2025) at TANK Shanghai, displayed on a screen at the end of a dark passageway enclosed by Nishiko's suspended multicoloured ribbons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/49d1e02b-f1af-4cab-8000-4ef11094614c/TANK_Shanghai_01.jpeg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view of Puzzle Piece by Zhi Wei in Danwei Unfolding (2025) at TANK Shanghai, featuring a geometric composition of interlocking architectural patterns in black, gold and muted green, displayed on a freestanding white gallery wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/d97502cc-5572-49f7-b80f-0a7318651300/TANK_Shanghai_03.jpeg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Wide installation view of Danwei Unfolding (2025) at TANK Shanghai, featuring Nishiko's suspended multicoloured ribbon installation above Xing Danwen's orange rug, chair and floor lamp, with Zhi Wei's Puzzle Piece visible on the right-hand wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/5318746a-4c26-4742-8f23-365827194bf7/TANK_Shanghai_09.jpeg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view of an illuminated photographic work by Zheng Tianyi in Danwei Unfolding (2025) at TANK Shanghai, featuring a grid of eight photographs framed by white light, with Nishiko's suspended multicoloured ribbons visible to the right.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/1792251261978-CGFRWTJLVDBS8GGL48RP/TANK_Shanghai_05.jpg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Qiao Zhibing, founder of TANK Shanghai, addressing the audience during a panel discussion accompanying Danwei Unfolding (2025), with invited speakers seated on stage and the exhibition's event programme displayed behind them.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/1792251315370-ODWF9PUV2LSTJKPV0AZY/TANK_Shanghai_06.jpg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>A panel discussion and symposium for TANK Shanghai's Danwei Unfolding, taking place at a conference or seminar with people sitting on a stage and an audience watching. There is a large screen displaying event details in the background. Gues speakers include Jiayue Yu, Dino Zhang, Professor Mo at Tongji University, and Nathan Yeomans</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/1792250270077-FWKWBDFSZI80914MKT62/IMG_0208.jpg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>A wooden table with a small desk lamp, a Installation view of archival materials by Dino Zhang in Danwei Unfolding (2025) at TANK Shanghai, featuring archival photographs, a clock, documents and books arranged across a table. Items are illuminated by a lamp and surrounded by suspended multicoloured ribbons by Nishiko.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/1792250254391-302Y5CBIKWB3T8F88SQX/IMG_0209.jpg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view of a three-channel video installation by Dino Zhang in Danwei Unfolding (2025) at TANK Shanghai, featuring three projections of architectural structures and suspended objects, framed by Nishiko's multicoloured ribbon installation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/c116ab93-f7e4-4446-b434-963dec5a9fc8/661.jpeg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view of Danwei Unfolding (2025) at TANK Shanghai, featuring an orange rug, chair and floor lamp within Xing Danwen's installation, surrounded by Nishiko's suspended multicoloured ribbons, with Zhi Wei's Puzzle Piece visible on the right-hand wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/403defa5-094c-457d-9bc1-80d1a93d2247/660.jpeg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Wide installation view of Danwei Unfolding (2025) at TANK Shanghai, featuring Nishiko's suspended multicoloured ribbons, a green door-like painting by Qiu Xiaofei and Xing Danwen's furnished installation with an orange rug, chair and floor lamp.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/4ee684a6-cc3a-45bf-9eaf-2250efd6bb4e/658.jpeg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Immersive installation view of Danwei Unfolding (2025) at TANK Shanghai, featuring Xing Danwen's furnished interior with an orange rug, chair and illuminated floor lamp, surrounded by Nishiko's suspended multicoloured ribbons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/2d1b84f8-9dda-4972-8dd9-926e36e324e0/659.jpeg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view of Danwei Unfolding (2025) at TANK Shanghai, featuring Xing Danwen's installation with a chair, floor lamp and patterned carpet, alongside suspended metallic ribbons. Works by Zheng Tianyi are visible in the background, with a painting by Qiu Xiaofei on the right-hand wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/bb09bb31-5e1a-49fd-9894-b71c5bc2a140/654.jpeg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view of a small, pale sculptural work by Yijia displayed on a white wall-mounted plinth in Danwei Unfolding (2025) at TANK Shanghai, with Xing Danwen's photographic work visible in the background.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/9c43a865-51eb-4b21-ad7b-e78e600220ec/645.jpeg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Installation view of Danwei Unfolding (2025) at TANK Shanghai, featuring an illuminated photographic work by Zheng Tianyi alongside Nishiko's installation of suspended multicoloured ribbons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/65d64a01-6bb1-4144-9e91-81fb31dbb308/TANK_Shanghai_03.jpeg</image:loc>
      <image:title>TANK Shanghai</image:title>
      <image:caption>Art installation with hanging colorful ribbons in an art gallery, with a yellow lamp, chairs, and a patterned rug on the floor.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://apricots-penguin-jxxt.squarespace.com/prokofiev-studio</loc>
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    <lastmod>2026-10-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/d9bc5ce5-7834-4a60-ae71-0b93c4826980/02_CommencementCommandment_AB.jpg</image:loc>
      <image:title>Prokofiev Studio</image:title>
      <image:caption>Installation view of Commencement / Commandment (2026) at Prokofiev Studio, London, featuring Kika Sroka-Miller's painting Not drawn from nature (2026), with its abstract orange, brown and violet forms, above Anastasia Belinskaya's Slowest Wave (2026), a cylindrical ice sculpture containing blue spirulina, displayed on a steel plinth.</image:caption>
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      <image:title>Prokofiev Studio</image:title>
      <image:caption>Wide installation view of Commencement / Commandment (2026) at Prokofiev Studio, London, featuring Anastasia Belinskaya's ice-based work Slowest Wave (2026) in the foreground, Kika Sroka-Miller's painting Not drawn from nature (2026) on the central wall, Gülce Tulçalı's After Rokeby Venus (2006), and syntheticduo's photographic installation Clouds That Never Rain (2026) on the right.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/5a9f3d8d-8aed-4c73-a2b2-bebb1491304e/03_CommencementCommandment_AB+%281%29.jpg</image:loc>
      <image:title>Prokofiev Studio</image:title>
      <image:caption>Installation view of Commencement / Commandment (2026) at Prokofiev Studio, London, featuring Anastasia Belinskaya's ice-based sculpture Slowest Wave (2026) on a metal plinth, Kika Sroka-Miller's painting Not drawn from nature (2026), and Gülce Tulçalı's photographic work After Rokeby Venus (2006) on the adjoining wall.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/5496db1c-f7dc-4439-a7c1-fed64db6e636/04_CommencementCommandment_AB.jpg</image:loc>
      <image:title>Prokofiev Studio</image:title>
      <image:caption>Installation view of Clouds That Never Rain (2026) by syntheticduo (Anastasia Belinskaya and Polina Kravchenko) in Commencement / Commandment at Prokofiev Studio, London. Photographs of industrial structures, landscapes and technological infrastructure are arranged across a white gallery wall, with a small sculptural display on a plinth in the foreground.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/3fec67f8-87b5-4045-8106-aa67867b5542/06_CommencementCommandment_AB.jpg</image:loc>
      <image:title>Prokofiev Studio</image:title>
      <image:caption>Installation view of Commencement / Commandment (2026) at Prokofiev Studio, London, featuring Gülce Tulçalı's After Rokeby Venus (2006) on the left wall and Clouds That Never Rain (2026), a photographic installation by syntheticduo (Anastasia Belinskaya and Polina Kravchenko), arranged across the adjoining wall.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/cdbfd744-0cb0-4cdd-93ba-ddd2cc6a692f/08_CommencementCommandment_AB.jpg</image:loc>
      <image:title>Prokofiev Studio</image:title>
      <image:caption>Installation view of Commencement / Commandment (2026) at Prokofiev Studio, London, showing Harry Payne's interactive digital work Find the Archive (2026) on a computer monitor at the end of the gallery, with Kika Sroka-Miller's painting You are free to eat from any tree in the garden (2024) displayed on the right-hand wall.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/1792252055286-RKPVURAQL5W0SG3YDJ7E/10_CommencementCommandment_AB%2B%25281%2529.jpg</image:loc>
      <image:title>Prokofiev Studio</image:title>
      <image:caption>Installation view of Kika Sroka-Miller's Go whaling (2026) in Commencement / Commandment at Prokofiev Studio, London, featuring swirling blue, turquoise and dark organic forms in a painting displayed on a white gallery wall.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/78162c8f-6cdf-4d12-8168-bf629a8421de/11_CommencementCommandment_AB+%281%29.jpg</image:loc>
      <image:title>Prokofiev Studio</image:title>
      <image:caption>Installation view of Commencement / Commandment (2026) at Prokofiev Studio, London, featuring Anastasia Belinskaya's Dice (2024), a series of small dark sculptural forms mounted along the foreground wall, with Kika Sroka-Miller's painting You are free to eat from any tree in the garden (2024) visible in the adjoining gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/97cfb291-1823-4c10-84b9-380b477d68a9/15_CommencementCommandment_AB+%281%29.jpg</image:loc>
      <image:title>Prokofiev Studio</image:title>
      <image:caption>Installation view of Commencement / Commandment (2026) at Prokofiev Studio, London, featuring Anastasia Belinskaya's No Place To Hide (2026), a sculpture made from a reclaimed ice-core storage container, clay and silica sand, alongside Kika Sroka-Miller's paintings And that's exactly what I'll do (2026) and Go whaling (2026).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/020c0069-d8d2-4e9c-9599-5d0bc527763c/IMG_0018.jpg</image:loc>
      <image:title>Prokofiev Studio</image:title>
      <image:caption>Detail view of Anastasia Belinskaya's No Place To Hide (2026) in Commencement / Commandment at Prokofiev Studio, London, showing a reclaimed British Antarctic Survey ice-core storage cylinder with sculpted clay and white silica sand spilling onto the gallery floor.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/9f13f0d8-8859-42f7-bd1e-71454c86dd25/IMG_0020.jpg</image:loc>
      <image:title>Prokofiev Studio</image:title>
      <image:caption>Anastasia Belinskaya, No Place To Hide (2026), installed in Commencement / Commandment at Prokofiev Studio, London. A sculptural work combining a reclaimed British Antarctic Survey ice-core storage container, clay and white silica sand, extending across the gallery floor.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6acaafec9eb41b5f994fb619/f0641793-eb43-45b0-b309-c9e6420edb3e/IMG_0026.jpg</image:loc>
      <image:title>Prokofiev Studio</image:title>
      <image:caption>An art gallery exhibit with an abstract painting of a nude figure with soft pink and cream Installation view of Commencement / Commandment (2026) at Prokofiev Studio, London, featuring Harry Payne's interactive digital work Find the Archive (2026) on a computer monitor alongside Kika Sroka-Miller's painting You are free to eat from any tree in the garden (2024).</image:caption>
    </image:image>
  </url>
</urlset>

